Four sorta similar albums.
Pelican repeats the mistakes of
City of Echoes, writing shorter, hookier, less satisfying songs again. Mostly it feels rushed, like the last hour of work on a Friday afternoon. Except the last track --
now featuring vocals! It feels too slow.
:\Russian Circles continues to crank out the dark, proggy, complex (god I love this drummer) jams on
Geneva. Once in a while I kinda get the feeling that these songs are more fun to play than to listen to, but (unlike the Pelican disc), they do a better job of purposefully building towards crushing, crazed crescendos, than retreating back into cold Eastern European woods.
:)Priestess is in a different category, harking back to old Sabbath, but wiser and more modern. I assumed they were southern, but it turns out they're Canadian. Not mindblowing, but good for those times when you want some "natural" rock undistilled by overmastering.
:\My favorite of the bunch this month is the "new" (last year's)
Capricorns album, which combines Russian Circle's uniqueness with old-Pelican's heft and Priestesses rawness to make something new. If Capricorns was a kid, he'd have a tipsy trucker for a dad and a lit major grad student for a mom.
:)
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